Flying Saucer Attack's early records combined Popul Vuh's
shimmering, open-ended soundtracks, the early Jesus And Mary Chain's wedding
of melody and noise, and the downbeat, recorded-in-a-shed aesthetic of New
Zealand's Xpressway collective to hand craft compelling psychedelic music
that evoked rural English landscapes as much as those behind the eyelids.
Mirror, the first FSA album in three years, elaborates on that early
sound while forging into new territory. Dave Pearce opens the record with a
brief blast of withering feedback, paints a late night and starry skies
ambience on "Dark Wind," and mines English folk music to extract melodic
beauty on "Islands" and acoustic melancholy on "Tides."
But Pearce hasn't
kept his head buried throughout the '90s - half of the record is propelled
by jungle beats and churning tape loops. The wedding of big beats,
restrained singing, and ear-singing distortion works best on "Winter Song"
and "Rise," which conjure images of UFO's barnstorming over the moors and
through the fields. Where do you think crop circles come from anyway?
If you like Flying Saucer Attack, check out:
My Bloody Valentine Loveless
The Jesus and Mary Chain Psychocandy
Shirley Collins and Davy Graham Folk Roots/New Routes
Pan Sonic A
-- Bill Meyer