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Femi Kuti
Femi Kuti

Femi Kuti at a glance...

Hometown: Lagos, Nigeria
First Recordings: 1984

Members:
Femi Anikulapo-Kuti -lead vocal, alto and tenor saxophone
Adeyinka Osindeinde -tenor sax
Gbenga Laleye -trumpet
Tiwalade Ogunlowo -trombone
Oluwaseyi Clegg -baritone sax
Gbenga Obisesan -congas
Olusegun Damisi -congas
Olayinka Oluwole -keyboards
Olufemi Fadipe -rhythm guitar
Tosin Aribisala -drums
Muyiwa Oke -drums

Bands in the Family:
Fela Kuti, Africa 70, Nigeria 70, Egypt 80, Koola Lobitos, The Roots

Notes:
The son of the late Fela Anikulapo Kuti, who died of AIDS in 1997, Femi Kuti is the beneficiary of some incredible genes, but he also has the burden of his father’s musical legacy. Fela is credited with inventing Afro-beat, a sound that mixes traditional Nigerian rhythms with the black power funk of James Brown in the '70s. He established himself as the largest thorn in the side of the Nigerian government, using every record as a soapbox against the problems facing his country’s proletariat and his race as a whole. As a result, Fela was vociferously harassed by the authorities and often forced to serve jail time for trumped- up criminal charges. One such occasion, a 1985 arrest prior to boarding a flight to Los Angeles for a concert, forced Femi, a backing horn player in his father’s Egypt 80 band, to the forefront. The son delivered a phenomenal performance in his father’s place, and two years later formed the band Positive Force and released his debut record, No Cause For Alarm. In 1994, Femi signed on to the Motown label and released Wonder Wonder, but lost label support when the leading advocate for African music left Motown soon after the album’s release. A deal with Barclay/Polygram resulted in the release of Shoki Shoki in the fall of 1999, and that label’s merger with Universal soon after allowed for the U.S. release of the album on MCA Records. So although Femi is relatively new to the States, he’s in his late thirties and is already an accomplished artist in his own right, with plenty of success abroad. The MCA release of Shoki Shoki includes remixes of Femi songs by Chateau Flight, Kerry Chandler, and The Roots, who recorded a jazzed-up version of “Blackman Know Yourself.”

Femi Kuti

Femi Kuti
Shoki Shoki
MCA, Released 1999
Femi Kuti
Femi Kuti

You can’t mention Femi Kuti without noting that no one will ever be able fill out his dad’s legacy, or his Fruit of the Looms. Fela left an indelible mark on dance music in more ways than one.

But the best thing about Shoki Shoki is that Femi doesn’t shy away from the challenge of bringing his father’s music into a new age. In fact, the ferocity of this album and its incorporation of both modern dance music styles and techniques make Shoki Shoki a more finished product and also a more accessible one. Whereas Fela had a penchant for half-hour songs with loose, winding percussion and brass jams, the brevity of these tracks, which are tightly wrapped and full of passion, are perfectly structured to explode in a live setting. The product is a more potent dose of Afro-funk, with the same lascivious energy of Fela in the late '70s.

Femi also doesn’t renounce his father’s love of pointed barbs directed at the establishment. The funk is vivid, but it can’t mask the powerful messages on tracks like “Blackman Know Yourself” and “What Will Tomorrow Bring,” which focuses on Nigeria’s recent move to civilian rule.

All of the tenets of Afro-beat are here, with rapacious percussion breaks and call-and-response chants between Femi and his female backup dancers/singers, one of whom is his wife, Funke (seriously). However, the tautness and density of these songs, the most striking of which is the opening “Truth Don Die,” relies on a sheer volatility rarely heard on the African musical landscape. A remix LP and 12-inch remix of the carnal “Beng Beng Beng” are already out from well-known producers like Masters At Work and Kerry Chandler, putting the powerful mix of African rhythms and electronic music on display. This record is a major step forward in the evolution of both black music and dance music.

If you like Femi Kuti, check out:
The Daktaris Soul Explosion
Femi Kuti Wonder Wonder
Sergent Garcia Un poquito quema'o
Tony Allen Black Voices
Mandingo Savage Rite
The Pharoahs In the Basement
Osibisa Woyaya
Fela Anikulapo-Kuti Shakara

-- Jim Welte

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