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Folk Implosion
Folk Implosion

Folk Implosion: One Part Lullaby

Listen To Real Audio
Folk Implosion,
"Mechanical Man"

Folk Implosion at a glance...

Hometown: Northhampton, MA
Year Formed: 1993

Members:
Lou Barlow -vocals, bass, sampler, harp, 4-track, optigan, casio guitar, glockenspiel, chord organ, omnichord, melodica, glasses of water, acoustic guitar
John Davis -guitars, drums, backup vocals, synthesizer, psaltery, banjo, dulcimer, cookie sheet, bucket, samples, drum machine
Wally Gagel -production, drums, keyboards, percussion, programming
Mia Doi Todd -vocals on "Chained To The Moon"

Bands in the family :
Sebadoh, Sentridoh, Dinosaur Jr.

Notes:
Lou Barlow and John Davis first got together to write songs in Davis's living room when the latter was a unknown college student whose boombox-recorded cassettes of wan poetry, sparse guitar, and acres of tape hiss were barely available from Shrimper records. Barlow's projects Sebadoh and Sentridoh, although underground phenoms, were nothing you'd bring home to play to mom, dad, or your kid sister. But then they recorded "Natural One," a fluke hit from the soundtrack to Kids, and catapulted out of their indie world and onto the charts. This is their third proper album and the first to follow up on "Natural One's" success by reuniting them with that song's producer Wally Gagel.

Lou Barlow and John Davis Folk Implosion

The Folk Implosion
One Part Lullaby
Interscope, Released 1999
Folk Implosion
Folk Implosion

Lou Barlow might have come to town with a punk rock heart, but he was born with vocal chords tuned to deliver Bread's back catalog. He also has a well-documented facility at mapping out his corrosive emotional and romantic discontent on a rudimentary four track recorder, like a housebound Joni Mitchell. When his not so serious side project with John Davis had a fluke hit with "Natural One," Sebadoh starting drawing crowds, and he got married. Barlow moved from Massachussetts to Los Angeles, and the changes of environment and fortune infuse this decidedly user-friendly pop record.

One Part Lullaby's songs are the ones a man writes when he realizes he doesn't have to be bummed out forever, the music a person makes when he can afford to trade in his four track for a home studio complete with Pro-Tools and some swanky electronics. Most of all, this is the kind of record a guy makes when he spends a lot of time tooling down the freeway with Beck on the stereo and the sun in his eyes.

The record leads with its best songs, which are also its most joyous; Barlow sounds like a man who's quite happy to leave sadness behind, and thrilled to be crooning over John Davis's percolating programmed grooves and fat guitar chords rather than tersely strummed indie-rock. As the album progresses Barlow's blues return in the guise of a handful of sullen kiss-off songs, but he recovers his equilibrium on the optimistic, mega-catchy "Back To The Sunrise."

If you like The Folk Implosion, check out:
Folk Implosion Take A Look Inside The Folk Implosion
Sebadoh The Sebadoh
John Davis Leave Home
John Davis Blue Mountains
The Folk Implosion Kids Soundtrack
Folk Implosion

-- p

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