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Horace Andy
Horace Andy

Horace Andy: Mr. Bassie

Horace Andy at a glance...

Hometown: Kingston, Jamaica
Born: 1951

Personnel:
Horace Andy -vocals
With:
The Sound Dimension
The New Establishment, AKA The Brentford Rockers or All Stars
The Studio One Band

Related Artists:
Massive Attack

Notes:
Horace Andy, born Horace Hinds, has been active in the Jamaican music scene since the late '60s. He first achieved chart success while recording for Coxsone Dodds's Studio One, but has gone on to success with nearly ever major reggae producer. Since 1991 he has been a contributor to Massive Attack's albums and live shows, and that group's high profile has helped to spur a surfeit of reissues covering different phases of his career.

Horace Andy

Horace Andy
Mr. Bassie
Heartbeat, Released 1998
Horace Andy
Horace Andy

Horace Andy's voice is a fabulous freak of nature, as high and pure as a prepubescent boy's, but as full of soul as any Memphis shouter or Motown crooner. He's a professional who has managed to successfully (and usually honorably) shoehorn himself into every style that's hit the Jamaican charts since the dawn of reggae.

Most of this collection is culled from Studio One's early '70s golden age, when the imprint was the 600 pound gorilla of Kingston's music scene. Andy's specialty then was reggaefying American pop tunes for the local market. "Oh Lord, Why Lord" is a charmingly rootsy take on an early Parliament (yup, George Clinton's band) ballad. "Ain't No Sunshine" is worth experiencing just to hear Bill Withers's baritone replaced by Andy's preternatural falsetto, and the mind boggles at the tangle of ironies inherent in his note-perfect duplication of Paul Simon's "Mother And Child Reunion."

But the real gems are his own tunes. "Fever" puts a chipper face on carnal longing, and "Mr. Bassie" smolders with dark and impenetrable mystery; he recorded both throughout his career, but has arguably never topped the clarity of the performances reproduced here. The backing is trademark Studio One, replete with booming bass lines, clipped guitar rhythms, and hypnotic little horn licks. Because Studio One still exists and wants you to know it, there's also a contemporary anomaly; "Slacky Tidy" is a winning hybrid that grafts au courant dancehall vocal stylings to a '70s-vintage backing track.

If you like To Horace Andy, check out:
Horace Andy Good Vibes
Beenie Man Art and Life
Various Rare Reggae Grooves from Studio One
Various In The Red Zone (Essential Collection of Classic Dub)
Various Feel Like Jumping: Best Of Studio One Women
Massive Attack Blue Lines
Desmond Dekker Rock Steady: The Best of Desmond Dekker
Horace Andy

-- Bill Meyer

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