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Ian Brown
Ian Brown

Ian Brown: Golden Greats

Listen To Real Audio
Ian Brown,
"Love Like A Fountain"

Ian Brown at a glance...

Hometown: Manchester, England
Year Formed: 1981

Personnel:
Ian Brown -vocals, programming
Aziz Ibrahim -guitars
Simon Wolstencroft -drums
Dave McCracken -programming
Inder Mathura
Sylvan Richardson Jr.
Anif Cousins

Bands In The Family:
The Stone Roses, Aziz, U.N.K.L.E., Primal Scream, The Seahorses, Hunkpapa

Notes:
After "smashing the myth" of The Stone Roses with a horrifying performance at 1996's Reading festival, Ian Brown disbanded what was left of his band and disappeared from view. A year later his debut album, the cheekily-titled Unfinished Monkey Business, came out on Polydor. Brown enjoyed some success with the Roses-esque first single "My Star," but within the year found himself embroiled in a controversy over some unwise comments to the press about history's military empires being run by homosexuals. To make matters infinitely worse, Brown was made an example of and jailed over alleged threats made to an airline stewardess. Emerging from prison in late 1998, he bounced back remarkably quickly, performing live dates with U.N.K.L.E and releasing Golden Greats to critical acclaim in Britain during 1999.

Ian Brown

Ian Brown
Golden Greats
Polydor, Released 1999/2000
Ian Brown
Ian Brown

He's doing it for us. And that, in an age of self-indulgent angst-peddlers and psuedo-entertainers with dollar signs in their eyes, is something special.

For all his questionable theorizing and flawed honesty, the man who wandered the streets of Manchester handing out £100,000 of The Stone Roses' Geffen advance still possesses a generous musical spirit. And Golden Greats is a fundamentally unselfish record, as simply enjoyable as a day off or a light beer buzz. Think Motown, think the Stereo MCs, think how lucky you are that you don't have to listen to anything pretentious or "difficult" today.

Golden Greats, from its cheery K-Tel title down into its relaxed funk/rock/acid grooves, is a welcoming record. It's Ian Brown shaking your hand, sharing a spliff, putting on his favorite records, and singing along. As such, it's not exactly a grower, and probably won't stand repeated plays as well as his more musically adept former band's records have. But its charms are plenty - Aziz Ibrahim's catchy riffing, Brown's way with a lyrical turn, the effortless funk the man seems to bring to everything - and its sincerity is obvious. Ian Brown wants to entertain, but there's no cash-in here; as always, his music is populist in the best sense. All are welcome.

There are a couple of truly inspired moments of dance-rock fusion - singles "Love Like a Fountain," "Dolphins Were Monkeys" and "Golden Gaze" - and a couple of duff moments where anything-goes sounds like less of a sound policy (the grind of "First World" is two minutes too long; the orchestral intro to "Dolphins Were Monkeys" doesn't fit; Ibrahim should never, ever, solo). In defense of Brown's much-maligned voice, he rarely overextends himself, and has a knack for writing in clever meters and finding melody lines that suit him. In that sense, he's an excellent singer. Yeah, he's a crapshoot live, but hey, this is a studio album. Don't nit-pick.

Really, Golden Greats makes any significant criticism feel churlish. We should be thankful that Ian Brown is still making records like this, because records like this make life a little bit better.

If you like Ian Brown, check out:
Happy Mondays Pills 'n' Thrills & Bellyaches
King Biscuit Time No Style
Cornershop When I Was Born for the 7th Time
The Stereo MCs Connected
The Stone Roses The Stone Roses
The Beastie Boys Paul's Boutique
Ian Brown

-- jf

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