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John Coltrane: Coltrane Jazz

at a glance...

Hometown: Hamlet, NC
First Recordings: 1950

Sidemen:
John Coltrane -tenor saxophone
Steve Davis -bass
Paul Chambers -bass
Jimmy Cobb -drums
Elvin Jones -drums
Wynton Kelly -piano
McCoy Tyner -piano

Notes:
After Charlie Parker, John Coltrane is the most influential saxophonist in jazz. He rose from the ranks of journeyman musicians to be a key sideman for Miles Davis and Thelonious Monk. While he worked for them he straightened out a series of obstructive personal problems (addictions to heroin and alcohol) and dedicated himself to ongoing musical evolution. With Miles, Monk, and on his early recordings for Prestige and Blue Note Coltrane explored modes and chordally based improvisation. His dense improvisations during that period were characterized as "sheets of sound." In 1959 he signed to Atlantic records. His first album for the label, Giant Steps, is a landmark recording because of its indelible compositions and intense, harmonically adventurous playing. Coltrane subsequently established his own quartet which included pianist McCoy Tyner, drummer Elvin Jones, and a series of bassists. That band appeared on another Atlantic classic, My Favorite Things. The saxophonist's extended soprano saxophone solo on the theme from "The Sound of Music" introduced to his work new heights of spiritual intensity and a quasi-Indian sound. In 1961 he signed to Impulse! records, a more financially supportive label, and the music's rate of change accelerated. He explored large group recordings, African and Indian influences, album length suites, open-ended structures, and the outer limits of his horns' volume and timbre. Coltrane became a patron of the avant garde by recording with up-and-comers like John Tchicai, Archie Shepp, and Pharoah Sanders. His classic quartet dissolved in 1965; his wife, pianist Alice Coltrane, bassist Jimmy Garrison, and drummer Rashied Ali were the core of his new group. Coltrane died of liver cancer in 1967.


John Coltrane
Coltrane Jazz
Rhino/Atlantic,
Recorded 1961; Re-released 2000

This disc isn't as far out as John Coltrane's later work for Impulse, nor is the writing quite as indelible as on his Atlantic debut Giant Steps. But no matter what John Coltrane did, he he always looked for boundaries to push, and on Coltrane Jazz he pushed his horn itself.

It marks his first use of multiphonics, the practice of extracting more than one tone at a time from the horn. They elevate "Harmonique" from a simple, earthy blues into a harbinger of Coltrane's coming extremity. But this is still the record of a man who was working with Miles Davis. His influence is evident in the concentrated focus of Coltrane's solos, even though he favored dense packed loquacity over Davis's severe, flash-purged lyricism.

Coltrane used his boss's rhythm section on all but one selection. Pianist Wynton Kelly had a lighter touch than Coltrane's later pianists. Kelly gives and effervescent lift to uptempo tunes like "My Shining Hour," a gliding tune that takes off from Paul Chambers' walking bassline and gathers energy from Jimm Cobb's splashy commentaries on the beat. The classic quartet convened for the first time on "Village Blues," a pensive piece bathed in shades of indigo that issue from newcomer McCoy Tyner's heavier-handed piano.

This is a solid work by a master who was about to enter his prime, and Rhino has served it well by giving it a bright but very present-sounding remastering, lavish packaging, and a generous selection of alternate takes that illustrate how Coltrane experimented with tempos and approaches before settling on a final take.

If you like John Coltrane, check out:
John Coltrane Coltrane Plays The Blues
John Coltrane Interstellar Space
John Coltrane A Love Supreme
John Coltrane Blue Train
John Coltrane Impressions
John Coltrane Ascension
John Coltrane Giant Steps
Miles Davis Kind Of Blue

-- Bill Meyer

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