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John Coltrane: Interstellar Space

at a glance...

Hometown: Hamlet, NC
First Recordings: 1950

Sidemen:
John Coltrane -bells, tenor saxophone
Rashied Ali -drums

Notes:
After Charlie Parker, John Coltrane is the most influential saxophonist in jazz. He rose from the ranks of journeyman musicians to be a key sideman for Miles Davis and Thelonious Monk. While he worked for them he straightened out a series of obstructive personal problems (addictions to heroin and alcohol) and dedicated himself to ongoing musical evolution. With Miles, Monk, and on his early recordings for Prestige and Blue Note Coltrane explored modes and chordally based improvisation. His dense improvisations during that period were characterized as "sheets of sound." In 1959 he signed to Atlantic records. His first album for the label, Giant Steps, is a landmark recording because of its indelible compositions and intense, harmonically adventurous playing. Coltrane subsequently established his own quartet which included pianist McCoy Tyner, drummer Elvin Jones, and a series of bassists. That band appeared on another Atlantic classic, My Favorite Things. The saxophonist's extended soprano saxophone solo on the theme from "The Sound of Music" introduced to his work new heights of spiritual intensity and a quasi-Indian sound. In 1961 he signed to Impulse! records, a more financially supportive label, and the music's rate of change accelerated. He explored large group recordings, African and Indian influences, album length suites, open-ended structures, and the outer limits of his horns' volume and timbre. Coltrane became a patron of the avant garde by recording with up-and-comers like John Tchicai, Archie Shepp, and Pharoah Sanders. His classic quartet dissolved in 1965; his wife, pianist Alice Coltrane, bassist Jimmy Garrison, and drummer Rashied Ali were the core of his new group. Coltrane died of liver cancer in 1967.


John Coltrane
Interstellar Space
Impulse!, Released 1975; Reissued 2000

When John Coltrane recorded Interstellar Space he had just five months to live -- it's his last great statement. After Ascension the desperate, searching quality of his work escalated, peaking with the mind numbing blow-outs issued on Live In Seattle and Concert In Japan. He pushed his horn, his musicians, his audience, and his own stamina to the limit, yet when he dined with Ravi Shankar around the time this record he admitted that he was frustrated in his search for a new musical direction. If only he'd lived he might have realized that he'd found it.

The four duets on Interstellar Space (six for this CD version, which adds one alternate take and one additional tune) distills the extremes of his immediately preceding work into a clearer, more concise language. Of course, that conciseness is relative -- the tunes still average nine minutes in length. But every stretched tone, every hoarse exhortation counts. It's impossible to overstate Rashied Ali's importance to this enterprise; his pulsing percussion is more like a directional blast of pure steaming sound than a succession of beats, driving the Trane without ever mandating a direction. He only hints at swing once, on the triumphant "Saturn," so some may question whether this music is jazz. To them I say that what you call it isn't as important as what you hear -- just listen.

If you like John Coltrane, check out:
John Coltrane Coltrane Plays The Blues
John Coltrane Coltrane Jazz
John Coltrane A Love Supreme
John Coltrane Blue Train
John Coltrane Impressions
John Coltrane Ascension
Alan Shorter Orgasm
David S. Ware Surrendered
Mats Gustafsson The Education Of Lars Jerry
William Hooker Mindfulness

-- Bill Meyer

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