When it comes to side projects, Lee Ranaldo is not the most
prolific member of Sonic Youth, but his extracurricular activities are
certainly no less stimulating than those of Thurston Moore, Kim Gordon, or
Steve Shelley.
This album is dominated by the half hour-long title track, a
1994 live solo performance, which is as expansive as the massive land
sculpture (depicted on the cover) for which it is named. Ranaldo's
minimalist-inspired method is deceptively simple; he plays brief guitar
phrases and loops them with a digital delay, then plays contrasting lines
against each loop. But his molten tone and refined instinct for the right
moment to shift focus (which was further fine-tuned by the post performance
editing of Portuguese musician Rafael Toral) turn a series of gradually
morphing repetitions into hypnotic, mind-altering music.
The other four
pieces form a bit of a grab bag. "Non-Site #3" is a steeplechase feedback
jam by Ranaldo and his Sonic brethren Moore and Shelley which points the
way towards the giddy experimentation of Sonic Youth's recent self-released
Musical Perspectives EPs. "Notebook" frames a Kerouacian poem about lives
that move too fast or not at all with brilliant guitar sparks, while "Here"
is a pensive acoustic piece that confirms Ranaldo's appreciation for John
Fahey's work. The album closes with a crunchy but faithfully anguished
cover of John Lennon's "Isolation."
If you like Lee Ranaldo, check out:
Nels Cline and Thurston Moore Pillow Wand
Jason Bill and Jack Rose Via St. Louis
Nels Cline and Devin Sarno Edible Flowers
Rafael Toral Wave Field
Bruce Anderson Brutality II: Balkana
John Fahey Georgia Stomps, Atlanta Struts...
Sonic Youth Confusion is Sex