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Polwechsel
Polwechsel

Polwechsel: Polwechsel 2

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Polwechsel, "Falb"

Polwechsel at a glance...

Hometown: Vienna, Austria
Year Formed: 1993

Personnel:
Werner Dafeldecker -double bass, guitars, electronics
Burkhard Stangl -guitar
Michael Moser -cello, guitar
John Butcher -tenor and soprano saxophone

Notes:
The trio of Austrians at Polwechsel's core are active members of Austria's new music (contemporary classical), improvisational, and jazz scenes. The group was originally founded with fourth member Radu Malfatti as a forum to investigate compositions that incorporate the extreme sounds of contemporary improvised music into compositions. They also improvise with a composer's sense of form and organization, and are at the vanguard of groups who incorporate electronics into improvisation. Malfatti left the group in 1997 but Stangl, Moser, and Dafeldecker has soldiered on, performing in the USA with Chicago-based bass clarinetist Gene Coleman and with English saxophonist John Butcher.

Polwechsel
Polwechsel 2
hat[now]ART, Released 1999
Polwechsel
Polwechsel

Polwechsel's music is not about tunes but textures; it resonates with the grainy abrasion of bows against strings, the bristling static of electronics, the faint dampness of air sucked through a saxophone reed.

Over the past three or four decades these sounds have become common currency in free improvised music and the spontaneously layered piece "Falb" proves that Polwechsel are well versed in such methods. But Michael Moser and Werner Dafeldecker also compose with these materials. Their pieces move deliberately from one sound field to the next, mapping and shaping each with a surveyor's precision and a sculptor's sense of form. They pay special attention to the points where electronic and acoustic sonorities overlap. Butcher's breathy rasps and Stangl's rumbling electric guitar feedback blend with Moser and Dafeldecker's bowed low strings and the crackles and drones that issue from the latter man's little black boxes.

The four tracks on this CD all inhabit a very narrow dynamic range, pieces develop gradually through accumulation rather than contrast. They reward intense listening, especially on headphones, which reveals the music's subtle details.

If you like Polwechsel, check out:
Mats Gustafsson The Education Of Lars Jerry
John Wolf Brennan, Gene Coleman, Christian Wolfarth Momentum
ICP Orchestra Jubilee Varia
Polwechsel Polwechsel
Fennesz Hotel Parallel
John Butcher and Phil Durrant Secret Measures
Bruce Anderson Brutality II: Balkana
Polwechsel

-- Bill Meyer

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