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The Shins
The Shins

The Shins: Chutes Too Narrow ...

The Shins at a glance...
Hometown:
Albequerque, New Mexico

Formed: 1997

Personnel:
James Mercer - Guitar, Harmonica, Vocals
Jesse Sandoval - Drums
Marty Crandall - Keyboards
Dave Hernandez - Bass, Guitar



In the Family :
Flake, Modest Mouse

Notes:
The Shins are an American Indie Horatio Alger, evolving from the low-prospects indie of Modest Mouse associates Flake into something approaching a Great Band. While several Flakies joined singer and songwriter James Mercer in The Shins, the band was from the outset his baby as he handled all of the songwriting chores. Signed to Sub Pop in 2000, they realized the potential of their late-'90s singles on their debut, 2001's marvelous Oh! Inverted World. A somewhate bewildering teapot tempest began brewing when Mercer sold single "New Slang" to McDonald's for use in a commercial; it was some measure of their elevation from the indie ghetto that they seemed to survive the credibility hit (although the ironic content of the song -- which talks of "dirt in your fries" and bakers "bleeding into the buns," may have helped on this front). Indeed, sophomore effort Chutes Too Narrow met equallyfrothy praise upon its release.


The Shins

The Shins
Chutes Too Narrow
Subpop, Released 2003
The Shins
v

I've often struggled over how to describe The Shins to friends. Like anyone, I like to have some witty phrase to give them as I hand the CD. Something to put a hook in. It's terrible, but the phrase I used to give the Shins was "good soft rock". How awful. They're neither.

The Shins are not good. They're something much loftier than that. The difference between good and great can be frustratingly difficult to describe, but it's almost always apparent. I mean, my friend Bob paints. His paintings are good. One is of him jammed inside a box, bound with rope. It's good. I loved it enough to hang in my office. But it's not Jasper Johns. Jasper Johns is truly great. The Shins are that kind of great - museum-quality great.

I don't know much about New Mexican culture, but clearly its closer to Midwest than Coastal. It's more grounded, less trendy, less self-centered, or, to put it in their words, "prone to care". The Shins reflect that. That's part of their greatness. Take "Young Pilgrim", an obviously autobiographical tale of misadventure and realization. It has substance. Yes, it's also beautiful. James Mercer's drifting, odd vocal progressions are gorgeous. But it's more than that: it's profound.

And, despite the vocal style and the not-ready-for-arena-rock sound, The Shins are not soft. They apply plenty of force - they just apply it smartly. Think about it: force applied consistently is just a push, but force applied quickly then removed is a punch. The Shins have punch. On "Kissing the Lipless", a sharp guitar is introduced to coincide with the phrase "a friendship scarred." That's punch. On "Turn a Square" the guitar solo has the wiggly texture of something from Saturday morning cartoons, but it makes you turn the volume up. Punch.

Two albums into the game, The Shins have already sealed their fate. No longer are they something we may look back on 10 years from now with second thoughts. They've set a standard for what indie rock can achieve. This is not a theory; this is not a supposition; this is fact. The Shins have already achieved greatness. Spread the word. Tell your friends. And when you do, when you come up with that clever phrase to describe them, let me know, will you?

If you like The Shins, check out:
The Beatles Rubber Soul
The Beatles Help!

The Byrds Notorious Byrd Brothers
Big Star No. 1 Record
The Shins Oh! Inverted World
Gorky's Zygotic Mynci Spanish Dance Troupe



-- Carl Ogden

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The Shins