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Sonic Youth
Sonic Youth

Sonic Youth: Washing Machine

Sonic Youth at a glance...

Hometown: New York, NY
Year Formed: 1980

Personnel:
Kim Gordon -bass, guitars, vocals, various
Lee Ranaldo -guitars, vocals
Thurston Moore -guitars, vocals
Steve Shelley -drums, percussion
With:
Kim Deal, Lorette Velvette, Melissa Dunn -vocals

Related artists:
Ciccone Youth, Two Dollar Guitar, Free Kitten, Lee Ranaldo, William Hooker, Velvet Monkeys, The Crucifucks, Cat Power, Nels Cline, Thurston Moore, In Limbo, The Coachmen, Mats Gustafsson, William Winant, J Mascis, Kim Deal, Pavement, Half Japanese, Mike Watt, Borbetomagus, Shonen Knife, Puzzled Panthers, Jim O'Rourke

Notes:
Sonic Youth rose triumphantly out of New York's early 80s No-Wave scene. Originally fueled by the ripping guitar of Glenn Branca alumns Ranaldo and Moore, Sonic Youth grew into - and maintain their stature as - a rock 'n' roll aural-experimentation unit beyond compare. Sometimes melodic, sometimes atonal, but rarely boring, the band have covered a lot of ground in its nearly 20-year history. From the early scene-splashing Confusion is Sex (1983) to the more polished EVOL (1986), the band's early evolution is apparent. 1988's epic Daydream Nation secured Sonic Youth's status as a legendary, visionary band which would forever leave its mark on rock 'n' roll. Subsequent albums and tours have served to bolster the band's popularity, even when not establishing any new plateaus of creativity. More recently, offshoot releases (like 1997's Perspectives Musicales series) have shown evidence of a continuing interest in experimentation. A perpetually active band, Sonic Youth will surely entertain and challenge for years to come.

Links:
Read Ink Blot's tribute to Sonic Youth, "Sonic Truth"
Sonic Youth

Sonic Youth
Washing Machine
Geffen, Released 1995
Sonic Youth
Sonic Youth

1995 was a watershed year for the marketing fiction called alternative rock. Kurt Cobain killed himself, Nirvana clones turned up on the radio dial and in the used bins, and Sonic Youth headlined Lollapalooza. But change was in the air, and you can smell it on this record. I don't know if the band knew that the wave they were riding was cresting, but they do seem to be looking for other surfaces to surf.

The staccato no-wave declamations like "No Queen Blues" and kinetic rockers like "Skip Tracer" are balanced by more reflective numbers that might have been inspired by the birth of Gordon and Moore's child Coco. Certainly Gordon's songs show a new interest in hormonally induced generational tensions between mothers and daughters. The record also reveals the influence of Moore and Ranaldo's growing involvement with improvisational musicians like William Hooker and Tom Surgal; the songs are longer, the instrumental sections more open ended and devoted to texture as an end in itself than anything the quartet had recorded since Daydream Nation.

Indeed, the high points are all in the playing; the title track's first section, a mystical feminist trailer trash fantasy narrated by Gordon, is quite entertaining, but once the band start braiding patterns of chiming harmonics and feedback tendrils they simply levitate. Even better is the album's epic closer "The Diamond Sea," which starts with Moore's lazily sung contemplation of passing time. Liquid reverberations give way to a churning maelstrom of howling guitars and rolling drums, then resolves into a serene swirl backwards tape loops and overheated amp buzz. It's the band's finest single moment of the decade.

If you like Sonic Youth, check out:
Sonic Youth EVOL
Sonic Youth Sister
Sonic Youth Dirty
Sonic Youth NYC Ghosts & Flowers
Sonic Youth Daydream Nation
Sonic Youth Confusion Is Sex
Sonic Youth Goo
Sonic Youth Experimental Jet Set, Trash And No Star
Sonic Youth Goodbye 20th Century
Sonic Youth Bad Moon Rising
Lee Ranaldo Amarillo Ramp
Nels Cline and Thurston Moore Mirror Wand
Nirvana Nevermind
Sonic Youth

-- Bill Meyer

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Sonic Youth


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