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Stereolab
Stereolab

Stereolab: The First Of The Microbe Hunters

Stereolab at a glance...

Hometown: London, England
First recordings: 1991

Personnel:
Laetitia Sadier -vocals, sounds
Mary Hansen -sounds
Tim Gane -sounds
Andy Ramsay -sounds
Morgane Lhote -sounds
Simon Johns -sounds
Sean O'Hagan -additional sounds

Bands in the family :
Broadcast, The Hangovers, My Bloody Valentine, Turn On, Snowpony, Tortoise, High Llamas, The Boo Radleys

Notes:
The formation of Stereolab in the early '90s saw the gathering of musicians from accomplished but largely unknown rock bands. Th' Faith Healers, McCarthy, and the Chills were all adept at mining from the rich earth of dance, psychedelia, funk and minimalism, but it was Stereolab that were able to break through with a loyal audience and maintain a major-label contract. Near-ambient explorations on early recordings like The Groop Played Space Age Bachelor Pad Music gave way to more dance-oriented releases like Transient Random Noise Bursts With Announcements. 1996's Emperor Tomato Ketchup found the group at the height of their powers, with seemingly every stone turned with grace and groove. Stereolab are renowned for Sadier's politically leftist lyrics, but vocals often buried in the swirl of pulsing bass, organs, and heavy percussion are hard to decipher. Quite surprisingly, Stereolab have remained an anomaly, with few notable imitators emerging over the years.

Stereolab

Stereolab
The First Of The Microbe Hunters
Elektra, Released 2000
Stereolab
Stereolab

When is a 39 minute-long record not an album? When it's a Stereolab EP. That's what they're calling this disc, anyway. And it makes sense, in a way. If you call it an EP, then it's not burdened with the expectations one has of an album; that it cohere, that it advance the players' musical canon in some way, and that it be good. Not that this EP is terribly bad -- Stereolab have too much good taste for that. But none of it is top-drawer Stereolab, either -- you won't find a "Jenny Ondioline" or "Super-Electric" or even a "Brakhage" here.

"UHF CD25," a bouncy groove criss-crossed by vibraphone patterns and neon organ distortions, starts things off promisingly enough. But does it really need to go on for nine minutes? Three or four would do. Next up is "Outer Bongolia," a pleasantly dreamy trifle. It's nice while it's playing, but I challenge anyone to remember it when it's done. Other tunes turn into lengthy suites; you think they're over, and another unrelated piece of music starts up while the track readout ticks on and on.

The material hints at strength, but pieces that should have been severely pruned and used as a song's bridge stretch on and on. Perhaps they're just too thrifty or unwilling to toss anything out once they've gone through the trouble of recording it. The First Of The Microbe Hunters is for completists only.

If you like Stereolab, check out:
Stereolab Cobra and Phases Group...
The High Llamas Snowbug
Mouse On Mars Niun Niggung
Stereolab

-- Bill Meyer

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