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Uncle Tupelo
Uncle Tupelo

Uncle Tupelo: Still Feel Gone

Uncle Tupelo at a glance...

Hometown: Belleville, IL
Year Formed: 1988

Members:
Jay Farrar -electric, acoustic guitar, vocals, banjo, mandolin, harmonica
Jeff Tweedy -bass vocals, acoustic guitar
Mike Heidorn -drums
Guest musicians:
Gary Louris -electric guitar
Brian Henneman -acoustic guitar
Chris Bess -accordion & piano
Rich Gilbert -optigan
Sean Slade -organ, piano

Bands in the family:
Wilco, Son Volt, Golden Smog, The Jayhawks, The Bottle Rockets

Notes:
Uncle Tupelo (originally The Primitives) grew out of the boyhood friendship between Jay Farrar and Jeff Tweedy, and their shared obsession with rock 'n' roll. By 1994 the friendship and band had crumbled, sending Tweedy off to form Wilco and Farrar to carry on with Son Volt. In between they reshaped the sound of the American underground, reclaiming traditional music with a punk rock attitude and a killer songwriter's knack. Over the course of four albums and innumerable tours Uncle Tupelo developed a rabid following and even fathered a movement - named after their first album, No Depression - of underground country rock bands.

Uncle Tupelo

Uncle Tupelo
Still Feel Gone
Rockville, Released 1991
Uncle Tupelo
Uncle Tupelo

In the early '90s, the American rock 'n' roll scene was so focused on Seattle and Nirvana that only a lucky few noticed another "underground" musical phenomenon brewing in St. Louis - well, Belleville, IL to be precise. Uncle Tupelo were also communicating about the general malaise in this time of post-Reaganomics and pre-internet IPO's, when the young generation were told they would be the first in U.S. history to earn less money than their parents.

Throughout Uncle Tupelo's reign, Jeff Tweedy and Jay Farrar split vocal and songwriting duties and revealed diverse influences from Hank Williams to Black Flag, proving Uncle Tupelo to be THE purveyors of "Punktry." Building a hard-core mid-west following centered around Cicero's in St. Louis, Uncle Tupelo's intelligent, heartfelt, feedback-drenched Still Feel Gone, their second Rockville Records release, sings simultaneously of the woes and joys of Belleville, actually transforming the town into a mythical, sub-noir landscape. The album contains contemplative, liquor-soaked tracks about the seamy underground of an industrial small town, where the residents rely on alcohol as their main source of entertainment. In "Looking for a Way Out" Farrar confirms this fact: "What has life for 50 years in this town done for you, except to earn your name and place on a barstool?"

Unveiling wisdom far beyond their years, insightful standouts like Tweedy's "Watch Me Fall" and Farrar's "Still Be Around" showcase acoustic finger-picking effectiveness and reflect the emotion and introspective melancholy of a Neil Young ballad. Tweedy's "Gun" is an enigmatic and rollicking guitar anthem that should have been a radio sensation.

Amid the ashes of Uncle Tupelo lies a powerful legacy waiting to be realized. Someday many will discover this album and wonder what they were doing in the early '90s and why they missed the pinnacle of Americana. Although it failed to make the cultural impact that grunge did, the legend of Belleville will continue to intensify.

If you like Uncle Tupelo, check out:
Uncle Tupelo No Depression
Uncle Tupelo March 16-22, 1992
Uncle Tupelo Anodyne
Giant Sand Chore Of Enchantment
The Byrds The Notorious Byrd Brothers
Neil Young Rust Never Sleeps
Flying Burrito Brothers Hot Burritos!
The Jayhawks Hollywood Town Hall
The Replacements Let It Be
Uncle Tupelo

-- Joanna Lux

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