His first quartet album with a standard rhythm section, Incredible Jazz Guitar solidified Montgomery's reputation as the most important jazz guitarist to emerge since Charlie Christian in the 1930s. Two major factors were responsible: First, he picked with his thumb rather than a plectrum, giving him a mellower tone. Secondly, he introduced the techniques of unison octaves and parallel chords, which gave him a softer, more rounded, and less jagged sound when compared to other guitarists of the day.
On this album, Montgomery tackled two standards, one tune each from Sonny Rollins and Dave Brubeck, plus four originals, including the classics "West Coast Blues" and "Four on Six." His solos are remarkably fluid and melodic while still capturing the essence of the blues idiom. He achieved a near-perfect balance of technique and emotion. On "Polka Dots and Moonbeams," his approach is unhurried and delicate while on the original "Mr. Walker," he shows he's capable of producing lengthy, bop-inspired runs without ever losing control. Tommy Flanagan's understated elegance is a perfect match for Montgomery.
Rather than compete with horn players and their styles, Wes Montgomery relished the distinct and unique qualities of the guitar. Though self-taught, he gave jazz guitarists after him a new path to follow. This album is the perfect place to begin your study.
If you like Wes Montgomery, check out:
Barney Kessel The Poll Winners
Wes Montgomery Full House
Grant Green Idle Moments
Django Reinhardt Nuages
The Benny Goodman Sextet ...Featuring Charlie Christian
psst...you might wanna check out our bebop abode for more features on bebop artists.
